“In these hostile and treacherous lands, every bone has a story.”

Along the southern desert border in Arizona, it is estimated that only one out of every five missing migrants are ever found. Águilas is the story of one group of searchers, the Aguilas del Desierto. Once a month these volunteers—construction workers, gardeners, domestic laborers by trade—set out to recover the missing, reported to them by loved ones often thousands of miles away. Amidst rising political repression and cartel violence, as well as the eternal difficulties of travel in the Sonoran Desert, the Aguilas carry out their solemn task.

Águilas lays bare the tragic reality of migrant death by venturing deep into the wilderness of the borderlands. The desert is a vast cemetery where the bodies and dried bones of migrants lie exposed under the scorching sun. In a world where efforts to humanize the migrant experience often get lost within the statistics and headlines, this documentary provides an observational and poetic response to one of the most pressing issues of our time, undocumented immigration and the hardships of the border crossing experience.

Jury Statements

 

“Águilas is a film that most poignantly displays the need immigrants feel to come to America — even at the cost of starvation and death. Failed attempts are presented by a backpack, a sweater, and scattered bones. How desperate the dream is of a perfect landing that ends so tragically.”

 

“Once a month the members of Águilas de Desierto, or the Eagles of the Desert, battle the scorching Arizona heat to search for migrants who braved the journey across the border but are now missing. Made up of mostly Latino volunteers, the Águilas set out to either rescue the lost or recover their remains to bring peace to the families that have reached out to them for help in finding their loved ones. This short yet heartbreaking documentary is bookmarked by audio recordings of desperate family members pleading for help over gorgeous footage of the desert, dovetailing the two opposing themes of the film—the hope and fear that come with crossing the border for a better life.”

“While we hear stories of immigrants coming to our borders, very rarely do you hear about the people who don't make it and disappear entirely. A simple and effective story about those who get lost on the way and those who make it their mission to look for them. It is good to see that there is a dedicated group of people who are able to help the dead rest with a sense of justice and peace.”

 

“Because it is a heartbreaking documentary that takes us through the reality of the disappeared in the desert. A reality that in Mexico is a daily reality. It is essential that these realities are portrayed in a truthful way and with a close look at those involved.”

“Powerfully encapsulates a complex and ongoing crisis on the U.S./Mexico border, intimately capturing the intrepid work of volunteers, the haunting use of migrant families' audio messages, and the harsh beauty of the desert. ÁGUILAS quietly but effectively calls out the utter absence of government in their endeavor.”

 

“We were impressed by the storytelling of this verité short which establishes the process of a haunting, necessary, and difficult repetitive task with deep feeling and respect. The depiction, collection, and processing of human remains is one of the urgent ethical issues of contemporary art and documentary film. This film approaches the subject and its hauntings with intimacy without voyeurism insisting on the documentary form’s capacity for healing and restitution.”

 

“It was the short film that felt most like a feature to me. In other words, it had a story arc that made me feel like I'd just eaten a complete meal. And yet, I would have happily eaten more. It had stakes. I felt invested. My heart went out to these heroes doing something so miserable and so necessary. To sum up: It was an epic doc short.”

screenings & awards

Big Sky Documentary Film Festival 2021, Missoula, MN Best Mini-Doc

SXSW Film Festival 2021, Austin, TX, Documentary Shorts Winner

Portland Oregon Women’s Film Festival (POW), Portland, Oregon

The New Yorker

Mountain Film Festival, Telluride, CO

Full Frame Documentary Film Festival, Durham, NC

Los Angeles Latino International Film Festival 2021, Los Angeles, CA, Best Live Action Short Film

San Francisco Doc Fest SF Indie - Virtual/San Francisco, CA (June 2021)

AFI Docs, Los Angeles, CA

Sedona International Film Festival, Sedona, AZ

Palm Springs Shortfest, Palm Springs, CA

42 Cinefestival San Antonio, San Antonio, TX, Best Documentary Short Film

Walla Walla Movie Crush, Walla Walla, WA

Indy Shorts International Film Festival, Indianapolis, IN

University Film and Video Association Screening, Best Documentary Short

Sonoma International Film Festival (SIFF) Summerfest, Sonoma, CA

Phoenix Film Festival, Phoenix, AZ

Nevada City Film Festival, Nevada City, CA

New York Latino Film Festival, New York, NY

Woodstock Film Festival, Woodstock, NY

Nashville Film Festival, Nashville, TN Best Documentary Short

Seattle Latino Film Festival, Seattle, WA

El Paso Film Festival, El Paso, TX, Best Documentary Short

San Francisco Latino Film Festival, San Francisco, CA

Hot Springs Documentary Film Festival, Hot Springs National Park, AR

Double Exposure Film Festival, (Virtual)

SLO Film Festival, San Luis Obispo, CA

Home Is Distant Shores Film Festival, (Virtual) Special Award for Documentary Short

Immigration Film Festival, (Virtual)

FILMMAKERS

Kristy Guevara-Flanagan Director, Producer, Writer.Kristy Guevara-Flanagan is an Associate Professor at UCLA’s School of Theatre, Film, and Television, where she heads the MFA Directing Documentary concentration. She has been making documentary films that focus on gender, death, and the Latinx community for nearly two decades. Guevara-Flanagan’s documentary and experimental films have screened at the Sundance, Tribeca, SXSW, and HotDocs film festivals and the Getty Museum. Her work has broadcast on PBS and the Sundance Channel, received numerous awards, and been funded by ITVS, the Sundance Institute, Fork Films, the IDA, the Tribeca Institute, Latino Public Broadcasting, and California Humanities. Her films are currently in distribution with Women Make Movies.

Kristy Guevara-Flanagan

Director, Producer, Writer.

Kristy Guevara-Flanagan is an Associate Professor at UCLA’s School of Theatre, Film, and Television, where she heads the MFA Directing Documentary concentration. She has been making documentary films that focus on gender, death, and the Latinx community for nearly two decades. Guevara-Flanagan’s documentary and experimental films have screened at the Sundance, Tribeca, SXSW, and HotDocs film festivals and the Getty Museum. Her work has broadcast on PBS and the Sundance Channel, received numerous awards, and been funded by ITVS, the Sundance Institute, Fork Films, the IDA, the Tribeca Institute, Latino Public Broadcasting, and California Humanities. Her films are currently in distribution with Women Make Movies.

Maite Zubiaurre Co-Director, Producer, Writer. Maite Zubiaurre has a Ph.D. in Comparative Literature from Columbia University, New York. She is a professor of European Languages and Transcultural Studies, Spanish and Portuguese, Digital Humanities, and Urban Humanities at UCLA. Before joining UCLA, Zubiaurre taught at USC, UNAM (Mexico), ITAM (México), and UT, Austin. She is the author of numerous publications, the most recent one, an award-winning monograph on the cultural representations of contemporary refuse (Talking Trash. Cultural Uses of Waste, 2019). She is presently leading a collaborative project on migrant death and border activism and art that includes a scholarly monograph and a digital map. “Filomena Cruz” is Maite Zubiaurre’s alter ego as a visual artist and activist.

Maite Zubiaurre

Co-Director, Producer, Writer.

Maite Zubiaurre has a Ph.D. in Comparative Literature from Columbia University, New York. She is a professor of European Languages and Transcultural Studies, Spanish and Portuguese, Digital Humanities, and Urban Humanities at UCLA. Before joining UCLA, Zubiaurre taught at USC, UNAM (Mexico), ITAM (México), and UT, Austin. She is the author of numerous publications, the most recent one, an award-winning monograph on the cultural representations of contemporary refuse (Talking Trash. Cultural Uses of Waste, 2019). She is presently leading a collaborative project on migrant death and border activism and art that includes a scholarly monograph and a digital map. “Filomena Cruz” is Maite Zubiaurre’s alter ego as a visual artist and activist.

Who are the águilas?

Aguilas del Desierto inc. is a nonprofit organization helping lost migrants in the deserts and along the borders of California and Arizona.

Aguilas del Desierto inc. Es una organización sin fines de lucro ayudando a migrantes perdidos en los desiertos y fronteras de California y Arizona.

https://www.aguilasdeldesiertoinc.org/

 PRESS

 
 

The New Yorker - The Grim Compassion of Searching for Missing Migrants in the Desert

UCLA Newsroom - Professors’ doc shines light on U.S. border humanitarian group

Ringside Report - Documentary Short Film Águilas/Eagles Shines A Light On An Organization That Brings Closure To The Families Of Missing Migrants

Variety - From Streamers to Newspapers, Nonfiction Shorts Offer Awards and Audience Recognition

 

LatinHeat - Immigration Doc ‘Águilas’ Wins LALIFF Short Film Competition

A.Frame - 5 Latinx Filmmakers On Showing Up Unapologetically

The Hollywood Reporter - COVID-19, Jan. 6 Insurrection Among Topics Explored in Documentary Shorts Contenders 

Film School Radio - The filmmakers of Oscar-shortlist short Águilas talk about their experiences making the film.

 

Daily Bruin - UCLA professors shine light on border crisis in new documentary ‘Águilas’

The Wrap - ‘Summer of Soul,’ ‘Flee,’ ‘Ascension’ Land on DOC NYC Short List of Awards-Worthy Documentaries

The Wrap - The Human Face of the Refugee Crisis

Eye for Film - Review of SXSW-winning short documentary, ‘Águilas’

San Diego Union Tribune - San Diego Latino Film Festival returns